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Table of Contents


Yun-Cheol Kim | Editorial

Yun-Cheol Kim | Éditorial

Special Contribution by Georges Banu

Georges Banu | Hommage à Georges Banu en Roumanie

Relations between the theatre field and other fields

Special Topics: Alternative Criticism?: Blogging, Tweeting, Facebook (Section Editor: Andrea Tompa)

Andrea Tompa| Editorial Note

John Elsom | Two Cheers for the Internet

Ott Karulin | Re-negotiating Professional Criticism

lulia Popovici | The New Economy of Theatrical Expertise

Pavel Rudnev | The Theatrical Blogosphere in Russia

Aleks Sierz | British Theatre Criticism: The End of the Road?

Esther Slevogt | Oncoming Traffic! — Theatre Criticism Online: The German Internet Platform nachtkritik.de

Mihály Szilágyi-Gál | Criticizing the End of Criticism: The Critical Genre and the Internet

Andrea Tompa | Mere Opinion and Considered Judgment: Amateur and Professional Criticism Today — Interview with Alisa Solomon

Russell T. Warne | Criticism 2.0: Benefits and Challenges of Theatre Criticism Web Sites

Interviews (Section Editor: Randy Gener)

Randy Gener | Editorial Comment

« Comment obtenir une pièce à la fois réaliste et stylisée, c’est la question que je me pose chaque fois »
— Interview with Suzie Bastien, Quebec Playwright from Canada, by Randy Gener

« Parce que je ne voulais pas obéir à une dictature idéologique »
— Entretien avec Shabman Tolouei, comédienne, auteure et metteure en scène iranienne, par Irène Sadowska-Guillon

LA_DANSE_12.pngRooting for Indie Theatre Wherever Indie Theatre Exists
— Interview with Leonard Jacobs, U.S. Journalist, Critic and Founder of Clyde Fitch Report, by Randy Gener

“A Space That Moves Beyond ‘Gallery’ or Even ‘Installation’ ”
— Interview with Wingspace Theatrical Design (USA), by Randy Gener

“The Hub for the Next Generation of Morbidly-Gifted Asian American Talent”
— Interview with Victor Maog, U.S. Director, by Randy Gener

“Theatre Was at the Avant-Garde of Perestroika”
— Interview with Valéry Shadrin, General Director of the Chekhov International Theatre Festival in Russia, by Tiago Bartolomeu Costa

“To Capture Something Out of the Air”: Original Live Theatre in Los Angeles
— Interview with Alicia Hoge Adams, U.S. Producer, Writer, Designer and Actress, by Lissa Tyler Renaud

“We Grow Like Rings on a Tree—Outward, But Not Radically Changing Shape”
— Interview with Christine Evans, U.S.-based, U.K.-Australian Playwright, by Randy Gener

Essays (Section Editor: Ivan Medenica)

Ivan Medenica | Editorial Note

Maria Shevtsova | The Seagull, directed by Oskaras Korsunovas


Conference Papers (Section Editor: Savas Patsalidis)

Savas Patsalidis | Editorial: Battles are Lost but Not the War

Icil Philips | The Role of the Critic in the Transmission and Creation of Theatre (Barbados)

Michel Vaïs | La vie, le sens et la parade (Quebec)

2.pngTheresa Bener | Can Theatre Criticism, Hit by the Crisis of Printed Media, Respond to the Complex Artistic Expressions of Contemporary Theatre? (Sweden)

Savas Patsalidis | Audience Participation and the Theatre’s Role in the Age of Post-Postmodernity (Greece)

 Performance Reviews (Section Editor: Matti Linnavuori)

Matti Linnavuori | Editorial Note: Visits to a Festival near You

Maria Zarnescu | Decisive Chekhovian Encounters in Timişoara

Isabella Rothberg | Whistles and Shouts in Berlin

Selim Lander | P’tite Souillure, comédie sacrée

Jean-Pierre Han and Matti Linnavuori | La Bolivie théâtrale entre table et plateau / Bolivian origins on the table and on the stage

s1581.pngAkiko Tachiki | Labyrinth of Illusions in the City Beyond Boundaries

Irène Sadowska-Guillon | Cette barbarie qui nous guette

Mihail Baykov | Nora as a Corporate Trophy

Ian Herbert | Everything and the Kitchen Sink: The Divadlo Festival in Plzen, Czech Republic, September 2013

 doubt.pngBook Reviews (Section Editor: Don Rubin)

Don Rubin (Canada) | Shakespeare Beyond Doubt: Evidence, Argument, Controversy, edited by Paul Edmondson and Stanley Wells, 284 pp. Cambridge: Cambridge University Press | Shakespeare Beyond Doubt? Exposing An Industry in Denial, edited by John M. Shahan and Alexander Waugh, 254 pp. Florida: Llumina Press

J. Herbert Close (UK) | The Cambridge Introduction to Theatre Directing, by Christopher Innes and Maria Shevtsova, 284 pp. Cambridge: Cambridge University Press

Irène Sadowska-Guillon (France) | Albert Camus-Michel Vinaver : S’engager ? Correspondance (1946 – 1957), Édition établie, présentée et annotée par Simon Chemama, 170 pp. Paris: l’Arche, 2012

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