CRITICAL STAGES | SCÈNES CRITIQUES
IATC Webjournal | Revue web de l’AICT
Issue n.º 2 : April 2010
Maria Helena Serôdio | Editorial
Thalia Prize | Le Prix Thalie
Jean-Pierre Sarrazac | Discours de Sofia: Remise du Prix Thalie
Randy Gener | Jean-Pierre Sarrazac Before and After the Thalia Prize : Un Questionnaire de Proust
Theatre views / Visions du théâtre
Playwright / Dramaturge:
Stage Designers/ Scénographes:
Dragos Buhagiar | Interviewed by Ioana Moldovan
Directors / Metteurs en scène
Stan Lai (Lai Shengchuan) | Interviewed by Lissa Tyler Renaud
David Zinder | Interviewed by Lissa Tyler Renaud
Special Files / Dossiers spéciaux
Augusto Boal
Iná Camargo Costa | Remembering Boal
Sérgio Carvalho | Notes on Boal’s the Dialectical Practice
Zeca Ligiéro | Boal and Che: Side by Side on Stage
Clara de Andrade | Remembering Boal through images
Jean Genet
Shin Hyun-Sook | Nouvelles lectures de Genet en Corée
Painful Memories / Mémoires douloureuses
Artistic Identities / Identités artistiques
Catarina Neves | Portugal's African communities on stage
Travis Weekes | Orthography and Identity: In search of a Language for Creole Theatre
Ludmila Patlanjoglu | The Apocalypse in Us: Purcărete’s Faust
Reviews (performances) / Analyses (spectacles)
Georges Banu | Deux spectacles hors pair
Matti Linnavuori | Finnish Fathers and Daughters Drive around in Europe in It’s a Girl!
Valda Čakare | The Second Latvian Homer
Irène Sadowska-Guillon | Une réflexion sur la démocratie et ses valeurs
Brent Meersman | Portrait of an artist as a dramatic work: Orfeus
Ludmila Patlanjoglu | Romeo, Juliet and the Romanian-Hungarian Love
Maria Helena Serôdio | An International Theatre Festival in Tehran
Georges Banu | Le Tramway de Warlikowski: Son élégie et son horizon
Irène Sadowska-Guillon | Encyclopédie mondiale des arts de la marionnette
Lissa Tyler Renaud | Chinese Shakespeares: Two Centuries of Cultural Exchange
Theatre Voices / Voix théâtrales
Athol Fugard |A New theatre named in his honour | Interviewed by Brent Meersman
Jin-Chaek Sohn | A humanistic vision | Interviewed by Soon-Ja Hur
Yun-Cheol Kim | Three Questions I Keep Asking Myself in Practicing Criticism
Mark Brown | Twenty-one Asides on Theatre Criticism
Don Rubin | Too Important to Be Left to Amateurs
Peter Hay | The Last Word




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