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from No category 2010/04/12 23:10

CRITICAL STAGES | SCÈNES CRITIQUES

IATC Webjournal | Revue web de l’AICT

Issue n.º 2 : April 2010


Maria Helena Serôdio | Editorial

Thalia Prize | Le Prix Thalie

Jean-Pierre Sarrazac | Discours de Sofia: Remise du Prix Thalie

Randy Gener | Jean-Pierre Sarrazac Before and After the Thalia Prize : Un Questionnaire de Proust

Theatre views / Visions du théâtre

Playwright / Dramaturge:

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Gianina Carbunariu | Interviewed by Ioana Moldovan

Stage Designers/ Scénographes:

Dragos Buhagiar | Interviewed by Ioana Moldovan

Directors / Metteurs en scène

Stan Lai (Lai Shengchuan) | Interviewed by Lissa Tyler Renaud

David Zinder | Interviewed by Lissa Tyler Renaud

Special Files / Dossiers spéciaux

Augusto Boal

Iná Camargo Costa | Remembering Boal

Sérgio Carvalho | Notes on Boal’s the Dialectical Practice

Zeca Ligiéro | Boal and Che: Side by Side on Stage

Clara de Andrade | Remembering Boal through images

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Jean Genet

Shin Hyun-Sook | Nouvelles lectures de Genet en Corée

Essays

Painful Memories / Mémoires douloureuses

Carole Guidicelli & Didier Plassard | Effet-dibbuk, effet spectre: Le théâtre de la mémoire douloureuse

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Liz Tomlin | Beyond Representation: Re-membering the ‘Ghosts’ of Recent History in Contemporary Performance

Marie-Christine Autant-Mathieu | Du moujik au kolkhozien: ou Comment représenter la campagne sur la scène soviétique

Artistic Identities / Identités artistiques

Catarina Neves | Portugal's African communities on stage

Travis Weekes | Orthography and Identity: In search of a Language for Creole Theatre

Ludmila Patlanjoglu | The Apocalypse in Us: Purcărete’s Faust

Reviews (performances) / Analyses (spectacles)

Georges Banu | Deux spectacles hors pair

Matti Linnavuori | Finnish Fathers and Daughters Drive around in Europe in It’s a Girl!

Patrice Pavis | Pour une analyse des spectacles - La “femme ôtée”: L’exemple de Fine Bone China, de et par Fran Barbe

Valda Čakare | The Second Latvian Homer

Irène Sadowska-Guillon | Une réflexion sur la démocratie et ses valeurs

Brent Meersman | Portrait of an artist as a dramatic work: Orfeus

Alvina Ruprecht | Le Woyzeck de Brigitte Haentjens : Une mise en scène corporelle extrêmement puissante

Ludmila Patlanjoglu | Romeo, Juliet and the Romanian-Hungarian Love

Maria Helena Serôdio | An International Theatre Festival in Tehran

Georges Banu | Le Tramway de Warlikowski: Son élégie et son horizon

Book Reviews / Lectures

Irène Sadowska-Guillon | Encyclopédie mondiale des arts de la marionnette

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Lissa Tyler Renaud | Chinese Shakespeares: Two Centuries of Cultural Exchange

Steve Capra | A Journal that Fills a Void

Theatre Voices / Voix théâtrales

Athol Fugard |A New theatre named in his honour | Interviewed by Brent Meersman

Jin-Chaek Sohn | A humanistic vision | Interviewed by Soon-Ja Hur

Critics on criticism

Yun-Cheol Kim | Three Questions I Keep Asking Myself in Practicing Criticism

Mark Brown | Twenty-one Asides on Theatre Criticism

Don Rubin | Too Important to Be Left to Amateurs

Temple Hauptfleisch | Lady Anne’s Blog: Some Initial Thoughts on the Evolution of Theatrical Commentary in South Africa

Peter Hay | The Last Word

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